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皮克斯总动员论文 迷失&寻找皮克斯动画继《海洋总动员》十年后,今夏再次携《海洋总动员:多莉去哪》征战海洋

导读:本文关于皮克斯总动员论文范文,可以做为相关参考文献。

Pixar returns to the ocean a decade after Finding Nemo with this summer’s Finding Dory皮克斯动画继《海洋总动员》十年后,今夏再次携《海洋总动员:多莉去哪》征战海洋

by Daniel Loria

丹尼尔·洛里亚

After Finding Nemo, director Andrew Stanton moved on to other projects, sati论文范文ied in knowing he had fully resolved the story of the missing little clownfish. His next Pixar project, WALL-E, became arguably one of the best films in Pixar’s history—and of the last decade in general. Stanton says now that, at the time, he only knew one thing for certain: “The last thing I was ever going to do was a sequel to Finding Nemo.”

在《海底总动员》之后,导演安德鲁·斯坦顿随即投入了其它动画项目的制作中,知道圆满地解决了寻找丢失的小丑鱼的故事,他心满意足.他下一部动画《机器人总动员》无可争议的成为了皮克斯动画电影史上——乃至过去十年中——的最佳影片之一.

斯坦顿说,当时,他只知道有一件事是肯定的:“我最不愿做的事情就是去拍《海底总动员》的续集”.

That attitude began to change in 2010, seven years after the film&,acute,s release. Although Nemo&,acute,s story had ended happily, Stanton says he felt there was still something unresolved in the animated ocean world he&,acute,d helped create. “I couldn&,acute,t s论文范文 thinking about Dory,” he admits. “I always knew she was a tragic figure.” He—and, let&,acute,s face it, the rest of the world—had fallen in love with the forgetful blue tang, voiced by Ellen DeGeneres, who had helped find Nemo in the original.

这种态度在2010年《海底总动员》发行7年之后开始改变.虽然尼莫的故事是一个圆满的结局,但斯坦顿说他有一丝直觉,在他所帮助创造的动画海洋世界那里仍然有一些未解之谜.“我无法停止思考多莉,”他承认道.“我一直认为她是个悲剧人物.”他,还有(实话实说)世上所有人都已经爱上了这个健忘的蓝唐王鱼.她由艾伦·德杰尼勒斯配音,在原版电影中帮助找到尼莫.

Stanton remained tight-lipped on the project, however, knowing the excitement and anticipation that would ensue if word got out about his plans for a follow-up. “I knew that if I said the words‘Finding Anything,’ it would start a snowball. So I was very cautious. In 2010, I had a notion of wanting to resolve Dory&,acute,s issues and that there might be a whole story there, but I waited until late 2012 to say it out loud—even internally. It was just too loaded.” By that time, with Dory still swimming in his mind, Stanton knew he needed to h论文范文e the rest of her story told.

然而,斯坦顿对于这个筹备仍三缄其口,因为他知道如果有关他的续集计划传出口风,兴奋和期待也将接踵而至.“我知道,如果我说句‘寻找什么’,它就会招来捕风捉影.所以我很谨慎.在2010年,我就有打算去了结与多莉的前缘,知道背后有可能延伸出整个故事,但我一直等到2012年底才对外公布——即使是在内部.这只是想法太多了.”到那个时候,多莉还是萦回在他心中,斯坦顿知道他需要继续完成她接下来的故事.

After Finding Nemo, director Andrew Stanton moved on to other projects, sati论文范文ied in knowing he had fully resolved the story of the missing little clownfish. His next Pixar project, WALL-E, became arguably one of the best films in Pixar’s history—and of the last decade in general. Stanton says now that, at the time, he only knew one thing for certain: “The last thing I was ever going to do was a sequel to Finding Nemo.”

在《海底总动员》之后,导演安德鲁·斯坦顿随即投入了其它动画项目的制作中,知道圆满地解决了寻找丢失的小丑鱼的故事,他心满意足.他下一部动画《机器人总动员》无可争议的成为了皮克斯动画电影史上——乃至过去十年中——的最佳影片之一.斯坦顿说,当时,他只知道有一件事是肯定的:“我最不愿做的事情就是去拍《海底总动员》的续集”.

That attitude began to change in 2010, seven years after the film&,acute,s release. Although Nemo&,acute,s story had ended happily, Stanton says he felt there was still something unresolved in the animated ocean world he&,acute,d helped create. “I couldn&,acute,t s论文范文 thinking about Dory,” he admits. “I always knew she was a tragic figure.” He—and, let&,acute,s face it, the rest of the world—had fallen in love with the forgetful blue tang, voiced by Ellen DeGeneres, who had helped find Nemo in the original.

这种态度在2010年《海底总动员》发行7年之后开始改变.虽然尼莫的故事是一个圆满的结局,但斯坦顿说他有一丝直觉,在他所帮助创造的动画海洋世界那里仍然有一些未解之谜.“我无法停止思考多莉,”他承认道.“我一直认为她是个悲剧人物.”他,还有(实话实说)世上所有人都已经爱上了这个健忘的蓝唐王鱼.她由艾伦·德杰尼勒斯配音,在原版电影中帮助找到尼莫.

Stanton remained tight-lipped on the project, however, knowing the excitement and anticipation that would ensue if word got out about his plans for a follow-up. “I knew that if I said the words‘Finding Anything,’ it would start a snowball. So I was very cautious. In 2010, I had a notion of wanting to resolve Dory&,acute,s issues and that there might be a whole story there, but I waited until late 2012 to say it out loud—even internally. It was just too loaded.” By that time, with Dory still swimming in his mind, Stanton knew he needed to h论文范文e the rest of her story told.

然而,斯坦顿对于这个筹备仍三缄其口,因为他知道如果有关他的续集计划传出口风,兴奋和期待也将接踵而至.“我知道,如果我说句‘寻找什么’,它就会招来捕风捉影.所以我很谨慎.在2010年,我就有打算去了结与多莉的前缘,知道背后有可能延伸出整个故事,但我一直等到2012年底才对外公布——即使是在内部.这只是想法太多了.”到那个时候,多莉还是萦回在他心中,斯坦顿知道他需要继续完成她接下来的故事.

皮克斯:#001迪士尼 皮克斯赛车总动员2 巧克力出奇蛋 生日礼物 VO Surprise Eggs Cars

EARLY FINDING DORY CONCEPT ILLUSTRATION

《海底总动员:多莉去哪》初期概念海报

It&,acute,s part of the Pixar DNA, if you will, the adherence to story above all else. For Stanton, who has been with the company since the release of its first feature, that commitment to story is central to Pixar&,acute,s success. “The only thing that got us through Toy Story was that we didn&,acute,t think we were going to get the chance to do it again. We knew the technology better than anybody and we knew it was going to be the ugliest picture we ever made. That it would look limited much sooner than anybody would want it to. So we said, what are the films that are so technologically limited but that we still watch” Stanton remembers the room coming up with The Wizard of Oz, Star Wars, and Snow White and the Seven Dwarves, all films with stories that transcend their respective technological barriers.

这是皮克斯动画基因的一部分,就是奉行故事高于一切.斯坦顿从皮克斯上映的第一部电影开始就是工作室的一员,在他看来,以故事为依托是皮克斯的成功关键.“支撑我们做完《玩具总动员》的唯一信念是,我们都认为我们不会再有机会去重新染指这部电影.我们知道我们的技术天下无双,而我们也知道这将是我们创作的最粗糙的电影.与人们愿望相悖,很快它就显得机会渺茫.所以我们自问,哪些电影技术上无所建树,但我们仍然趋之若鹜呢?“斯坦顿记得创作了《绿野仙踪》、《星球大战》、和《白雪公主》和《七个小矮人》的工作间,所有这些电影都用故事超越了他们各自的技术壁垒.

“We would always say, ‘We&,acute,re in it for the grandkids, not the kids.’Meaning we&,acute,re in it for the long haul, hoping it would go past one generation to the next without any of the hoopla of being the first fully computer-animated film ever. If you strip all that away, and the context of all that changes, and this is found on a chip somewhere and watched decades later—will it still stand

“我们总是会说,&,acute,我们制作影片是为了我们的孙子辈,而不是子侄辈.&,acute,也就是说我们制作影片是带着长远的眼光,希望它会代代相传,而不会出现作为有史以来第一部全电脑动画电影的那些喧闹.如果你剥离这所有的一切,以及那些会时过境迁的背景,几十年后它在某个地方的一块芯片里被翻出来观看——它会不会仍然屹立不倒?

“That&,acute,s been our rule ever since.”

“这从那以来就一直是我们的原则.”

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